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Sabbia Coffee Table

Informed by mid-century design, Sabbia Coffee Table incorporates the best of classic proportions with modern materials. Inspired by the subtle

ALE-04 AL Sky / Stone ALIEALE-04SCSN7AA0

Area rugs in the Alie Collection have an elevated antique look and plush, modern feel. The rug’s underlying traditional motif

89A-301-V1 – Maison ’47 Small Rectangular Dining Table – Blonde Cerused

Product Details Material Oak Veneers, Oak Solids Distressing Level Light Notes C185 Blonde CerusedAntique brass finish ferrules Volume 24 cft

Signature Designs Denizen Cocktail Table

Contemporary cocktail table with a honed White Vein travertine top and an iron base in a champagne silver leaf finish; travertine top may vary in appearance.

Oyster Shell Sculptures, S/2

Cast from natural oyster shells, these sculptures feature an aged ivory finish with chrome accents and set atop staggered height

Art By Ta – Blanched Bulwark 2

Blanched Bulwark II calls to mind the early work of Robert Rauschenberg of the early 1950s. As with Rauschenberg’s work,

SAMUEL WING CHAIR

Interpreted from a 19th Century image from an English furniture catalog printed in London by G. Taylor between 1830-1850. The

Sabbia End Table

Informed by mid-century design, Sabbia End Table incorporates the best of classic proportions with modern materials. Inspired by the subtle

ALE-04 AL Sky / Stone ALIEALE-04SCSN96D1

Area rugs in the Alie Collection have an elevated antique look and plush, modern feel. The rug’s underlying traditional motif

89A-302-V1 – Maison ’47 Large Rectangular Dining Table – Blonde Cerused

Product Details Material Oak Veneers, Oak Solids Distressing Level Light Notes C185 Blonde CerusedAntique brass finish ferrules Volume 26 cft

Signature Designs Denizen Round Lamp Table

Round lamp table with a honed White Vein travertine top on an iron base finished in champagne silver leaf; travertine tops may vary in appearance.

Art By Ta – Blanched Bulwark 1

Blanched Bulwark I calls to mind the early work of Robert Rauschenberg of the early 1950s. As with Rauschenberg’s work,